•CONCRETE ON LEATHER•
INSPIRATION FOR MY JEWELRY DESIGN STUDY. REVIVING THE MAN'S INTUITION AND PRESENCE. A MEN'S NO-TECH PIECE IS SOON TO BE LAUNCHED. FOLLOW HERE AND ON PINTEREST FOR FORTHCOMING UPDATES.Pinterest
•CONCRETE ON LEATHER•
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fernfiddlehead:

14k gold wedding band - Hammered gold wedding ring - hammered gold ring by moiraklime (138.00 USD) http://ift.tt/19m1J4V
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red-lipstick:

Pep Carrió  (b.1963, Palma de Mallorca, Spain) - But My Face I Do Not Mind For I Am Behind It, 2004 Collages Surr
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lifeonsundays:

Margot Cabinet by Promemoria
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definemotorsports:

The golden era
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darksilenceinsuburbia:

Tamsin van Essen
Erosion Series
This work explores erosion and the disruption of form. Focusing on biological erosion, I wanted to convey the idea of a host being attacked and eaten away by a parasitic virus, highlighting the creeping spread of the infection as it corrupts the body. I have produced a series of angular porcelain forms, sandblasted to wear the surface and reveal inner strata. This aggressive process, contrarily, creates a delicate vulnerability in the shape. The translucency of the porcelain and the interruption of the surface make it possible to glimpse through to layers beneath, creating a tension between the seen and the obscured.
darksilenceinsuburbia:

Tamsin van Essen
Erosion Series
This work explores erosion and the disruption of form. Focusing on biological erosion, I wanted to convey the idea of a host being attacked and eaten away by a parasitic virus, highlighting the creeping spread of the infection as it corrupts the body. I have produced a series of angular porcelain forms, sandblasted to wear the surface and reveal inner strata. This aggressive process, contrarily, creates a delicate vulnerability in the shape. The translucency of the porcelain and the interruption of the surface make it possible to glimpse through to layers beneath, creating a tension between the seen and the obscured.
darksilenceinsuburbia:

Tamsin van Essen
Erosion Series
This work explores erosion and the disruption of form. Focusing on biological erosion, I wanted to convey the idea of a host being attacked and eaten away by a parasitic virus, highlighting the creeping spread of the infection as it corrupts the body. I have produced a series of angular porcelain forms, sandblasted to wear the surface and reveal inner strata. This aggressive process, contrarily, creates a delicate vulnerability in the shape. The translucency of the porcelain and the interruption of the surface make it possible to glimpse through to layers beneath, creating a tension between the seen and the obscured.
darksilenceinsuburbia:

Tamsin van Essen
Erosion Series
This work explores erosion and the disruption of form. Focusing on biological erosion, I wanted to convey the idea of a host being attacked and eaten away by a parasitic virus, highlighting the creeping spread of the infection as it corrupts the body. I have produced a series of angular porcelain forms, sandblasted to wear the surface and reveal inner strata. This aggressive process, contrarily, creates a delicate vulnerability in the shape. The translucency of the porcelain and the interruption of the surface make it possible to glimpse through to layers beneath, creating a tension between the seen and the obscured.
darksilenceinsuburbia:

Tamsin van Essen
Erosion Series
This work explores erosion and the disruption of form. Focusing on biological erosion, I wanted to convey the idea of a host being attacked and eaten away by a parasitic virus, highlighting the creeping spread of the infection as it corrupts the body. I have produced a series of angular porcelain forms, sandblasted to wear the surface and reveal inner strata. This aggressive process, contrarily, creates a delicate vulnerability in the shape. The translucency of the porcelain and the interruption of the surface make it possible to glimpse through to layers beneath, creating a tension between the seen and the obscured.
darksilenceinsuburbia:

Tamsin van Essen
Erosion Series
This work explores erosion and the disruption of form. Focusing on biological erosion, I wanted to convey the idea of a host being attacked and eaten away by a parasitic virus, highlighting the creeping spread of the infection as it corrupts the body. I have produced a series of angular porcelain forms, sandblasted to wear the surface and reveal inner strata. This aggressive process, contrarily, creates a delicate vulnerability in the shape. The translucency of the porcelain and the interruption of the surface make it possible to glimpse through to layers beneath, creating a tension between the seen and the obscured.
darksilenceinsuburbia:

Tamsin van Essen
Erosion Series
This work explores erosion and the disruption of form. Focusing on biological erosion, I wanted to convey the idea of a host being attacked and eaten away by a parasitic virus, highlighting the creeping spread of the infection as it corrupts the body. I have produced a series of angular porcelain forms, sandblasted to wear the surface and reveal inner strata. This aggressive process, contrarily, creates a delicate vulnerability in the shape. The translucency of the porcelain and the interruption of the surface make it possible to glimpse through to layers beneath, creating a tension between the seen and the obscured.
darksilenceinsuburbia:

Tamsin van Essen
Erosion Series
This work explores erosion and the disruption of form. Focusing on biological erosion, I wanted to convey the idea of a host being attacked and eaten away by a parasitic virus, highlighting the creeping spread of the infection as it corrupts the body. I have produced a series of angular porcelain forms, sandblasted to wear the surface and reveal inner strata. This aggressive process, contrarily, creates a delicate vulnerability in the shape. The translucency of the porcelain and the interruption of the surface make it possible to glimpse through to layers beneath, creating a tension between the seen and the obscured.
darksilenceinsuburbia:

Tamsin van Essen
Erosion Series
This work explores erosion and the disruption of form. Focusing on biological erosion, I wanted to convey the idea of a host being attacked and eaten away by a parasitic virus, highlighting the creeping spread of the infection as it corrupts the body. I have produced a series of angular porcelain forms, sandblasted to wear the surface and reveal inner strata. This aggressive process, contrarily, creates a delicate vulnerability in the shape. The translucency of the porcelain and the interruption of the surface make it possible to glimpse through to layers beneath, creating a tension between the seen and the obscured.
darksilenceinsuburbia:

Tamsin van Essen
Erosion Series
This work explores erosion and the disruption of form. Focusing on biological erosion, I wanted to convey the idea of a host being attacked and eaten away by a parasitic virus, highlighting the creeping spread of the infection as it corrupts the body. I have produced a series of angular porcelain forms, sandblasted to wear the surface and reveal inner strata. This aggressive process, contrarily, creates a delicate vulnerability in the shape. The translucency of the porcelain and the interruption of the surface make it possible to glimpse through to layers beneath, creating a tension between the seen and the obscured.
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midcenturymodernfreak:

1932 Bauhaus Cabinet Model B 290 | Design: Bruno Weil for Thonet | Germany
This very rare cabinet was designed by Bruno Weil (BèWè), the artistic director of Thonet-Frères in Paris and it was produced by Thonet Germany in Frankenberg. The furniture is unrestored, in original coral color and stunningly beautiful patina. Highly rare and a museum piece. - Via
midcenturymodernfreak:

1932 Bauhaus Cabinet Model B 290 | Design: Bruno Weil for Thonet | Germany
This very rare cabinet was designed by Bruno Weil (BèWè), the artistic director of Thonet-Frères in Paris and it was produced by Thonet Germany in Frankenberg. The furniture is unrestored, in original coral color and stunningly beautiful patina. Highly rare and a museum piece. - Via
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thygeek:

Honda CX500 por Kustom Research
thygeek:

Honda CX500 por Kustom Research
thygeek:

Honda CX500 por Kustom Research
thygeek:

Honda CX500 por Kustom Research
thygeek:

Honda CX500 por Kustom Research
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designbinge:

Copenhague Desk
Designed by Ronan & Erwan Bouroullec | Hay
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